SKOWRONSKI PLAYS! AVEC et SANS
Volume II **Live in Concert** (S:CR-08)

Vincent P. Skowronski, violin
Katherine Hughes, violin
Saori Chiba, piano
Donald Isaak, piano

Ernest Bloch: NIGUN
Improvisation -- from the Suite, Baal Shem
--Skowronski, violin; Chiba, piano

Carl Engel: SEA SHELL, to a poem by Amy Lowell
(arr. Efrem Zimbalist, Sr.)
--Skowronski, violin; Chiba, piano

Arthur Honegger: SONATINE pour deux violons (1920) --Skowronski and Hughes, violins

Darius Milhaud: DUO pour deux violons (1945)
--Skowronski and Hughes, violins

Karol Szymanowski: TANIEC z 'HARNASIOW'
(Dance of the Mountaineers, arr. Pawel Kochanski)
from the ballet/opera, HARNASIE, Opus 55
--Skowronski, violin; Chiba, piano

Karol Szymanowski: SONATA in D MINOR, Opus 9
--Skowronski, violin; Isaak, piano



YEAR IN REVIEW
TOP TEN BEST CLASSICAL CDs OF 2006!


“As the recording industry continues its inexorable march into cyberspace, 2006 still was a very good year for traditional classical CDs.”

“VINCENT P. SKOWRONSKI --master teacher and concert violinist-- continues to mine musical gems from his lengthy and distinguished recital career. Here we have important performances (particularly of the Szymanowski Sonata in D Minor that are magnificently brought to life by Mr. Skowronski and his colleagues. Kudos to each and every artist involved as these players bring joy to your ears. Simply put, this is a recording of exceptional merit.”
----Chicago Daily Herald



The following comments are excerpts from WQXR-FM radio's FIRST HEARING, Boston's highly prestigious on-air "LIVE" classical music review program:

“VINCENT SKOWRONSKI provides us with a performance of the Szymanowski SONATA that is wonderfully played. I love his self-indulgence, the portamentos, the tremendous panache.....the way this kind of music should be played,”
----Martin Bookspan

“I agree with you, Martin, ---this is a wonderful performance of the sonata by Mr. Skowronski,.....and beautifully recorded.”
----Speight Jenkins

CD Baby Buy CD


“Skowronski clearly is one of the best violinists in America.”
American Record Guide, July/August 2007

Avec et Sans Vol. II
CD Baby Buy CD

“This disc of Vincent P. Skowronski’s, culled from LIVE recitals, has no weak performances. The opening Nigun is a very intense, polished performance that grabs you by the ears and just doesn’t let go. There is some roughness here and there, but only because Skowronski is a violinist who takes risks, and here they really pay off. He shows that he is a prime example of the old eastern European school of string playing.”

“Carl Engel’s Sea Shell is a charming piece of late romantic fluff, and Skowronski plays it with the kind of commitment and concentration that such music needs to come off. Honegger’s Sonatine for Two Violins (1920) is a brief, charming work though occasionally marred
by a few mistuned double stops as is Milhaud’s
Duo for Two Violins (1945). But, I do find the Milhaud a bit more charming than the Honegger.

Szymanowski’s Dance opens with a plaintive Lento molto tranquillo section with lovely impressionist harmonies in the piano that is followed by a boisterous Vivace assai section. The Sonata in D Minor is a very accomplished work. I don’t believe I’ve ever heard it before, and it is so good. Noble melodies flow through I; II is a sweet Romanza with a playful, pizzicato middle section; and III is a virile Allegro molto, quasi presto. Skowronski doesn’t make a single misstep in his countryman’s music, giving each movement just the right shape.”

“On a good day, Skowronski is clearly one of the best violinists in the country. I strongly recommend this recording for the works by Bloch and Szymanowski, and it’s nice to have some recorded examples of the Honegger and Milhaud duets. He plays a rich-toned Giuseppe Guarneri filius Andrea violin of 1717.”
----American Record Guide



“This CD is an antidote to perfunctory, antiseptic and self-regarding violin playing. VINCENT P. SKOWRONSKI performs with an intensity that places him among those artists who invariably put music first, plunging into scores with an abandon that cannot fail to take hold of an individual's imagination. Relying on his rare GIUSEPPE GUARNERI filius Andrea (circa 1717) whose vibrant sound is well-matched to its master’s strengths, Mr. Skowronski rewards the listener in ways not even understood by many more famous violinists.”

“First is a searing reading of NIGUN, the Improvisation from Ernest Bloch’s Suite, Baal Shem. The Hassidic themes are voiced by the violinist with fire and a boldly lavish tone. His liberal use of portamento and portando lends definition to the piece while abetted by the artist’s firmly-controlled vibrato. There are some vagaries with intonation here and there, but these are well-compensated for by the authority of Skowronski’s execution.”


"Mr. Skowronski rewards the listener in ways not even understood by many more famous violinists."

“By contrast to the Bloch, Carl Engel’s SEA SHELL is done with gossamer delicacy, with some enchanting tapering at phrase endings. Featured next is Arthur Honegger’s SONATINE for Two Solo Violins followed by Darius Milhaud’s DUO for Two Solo Violins -- Skowronski being wonderfully assisted here by the most able Ms. Katherine Hughes. The Honegger strikes one as being a bit severe, but it does showcase a striking Andantino and is fastidiously composed. The Milhaud, on the other hand, is a work of considerable charm and benefits from a bright-eyed, animated presentation from both artists.”

“Most significant on this disc are the two compositions by Polish composer Karol Szymanowski. His TANIEC z HARNASIOW (Dance of the Mountaineers) and SONATA in D MINOR (1904) are tremendous; each work receives a terrific presentation. The two-movement arrangement of the Dance (drawn from the composer’s opera/ballet Harnasiow) is breathtakingly atmospheric and masterfully handled by Skowronski and pianist Ms. Saori Chiba, who previously lent her most attentive support and panache in the Bloch and Engel.

The Szymanowski Sonata is the recipient of an excellent transfer to CD from an earlier LP, and beautifully retains Skowronski’s and pianist Donald Isaak’s still so powerful, so exquisitely-shaded and so meticulously crafted reading of the work. That Skowronski and Isaak are utterly one during the sonata’s offering is most apparent. And this, of course, makes the listener feel as if Szymanowski’s intent with the sonata has been completely realized. YES! Definitely recommended.” ----(EE) Northeast Wisconsin Music Review, Vol. 4, number 5



SKOWRONSKI PLAYS! Avec et Sans, Vol. II, Live in Concert

Review by Ross Anthony, HollywoodReportCard.com

In general, the performances are wonderful, so these comments really refer to my subjective remarks regarding the compositions.

Nigun by Ernest Bloch
1- Deathly serious. Heavy, but sweet.

Sea Shell by Carl Engel
2 - Opens relieved, breezy, but softly steps into a tension which releases and reties again. Overall very gentle, but a little too sleepy.

Sonatine pour deux violons by Honegger
3 - 2 violins weave in and out, the opening brings the visual of a stunt biplane in full free fall, tumbling, smoke spiraling where the wings had been. Alive, vibrant. I like it! (What a big open and a beautiful finish!) 4 - Menacing, the violin harmonies are locked, then break into a more playful mood, while strangely dissonant at times. So locked, that in places the two violins sound like breaths through a harmonica or accordion. 5 - The violins duel. A screech in the first 30 seconds is followed by a more full guttural pull of wood. Love the build to the end, but most of this movement feels pointless.

Duo pour deux violons by Milhaud
6 - A more modern feeling. A balance between loose and meandering and then harmonic and tighter. Eventually becomes quite compelling. 7 - Love the big chords in the center of this movement. They're like a bedspread slowly dropping as if a parachute to the bed. But begins to squander itself and ends weak. 8 - Opens as meanderingly as 7 finished, but changes mood midway and becomes interesting. With a curious and intricate wind up.

Taniec z 'Harnasiow' by Szymanowski
9 - First few notes of the piano sound as if from a marimba, soft sensitive .... sweet ... minimalist. 10 - Big contrast. Notes hit with aggression, dissonant assertiveness. Modern, alive. Fun!

Sonata in D minor by Szymanowski
11 - Somewhat over dramatic, soapy but likeable, then goes long, drawn out. Lost interest. Boring. (The piano recording remains rather muddled during this piece.) 12 - Comes back alive, broken into sections, pizzicato -- a mini-piece in itself. 13 - Dreary start, like first movement, but then becomes dark dramatic, but alive and ends strong.

Disclaimer: (Some years ago I worked with Vincent Skowronski, and these days, I'm honored to count him among my friends.)















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